The Rabbit Box presents St. Yuma, The Marrying Type & Tiny Vipers
Sept. 5th / Doors 6:30pm / Music begins at 7:30pm
$15 adv. / $18 door : https://tickets.venuepilot.com/e/st-yuma-the-marrying-type-tiny-vipers-2025-09-05-the-rabbit-box-theatre-seattle-4e7757
St. Yuma - Seattle, WA\n\nEstablished in 2015 “St. Yuma” serves as the creative outlet for singer/songwriter Stevan Alva. Whether performing solo or with a band, the objective has always been to evoke emotional depth through music and sonic exploration, drawing inspiration from artists like Damien Jurado, Califone, Silver Jews, and Wilco. St. Yuma’s latest offering "Country Sleight of Hand" was crafted during and after singer-songwriter Alva's departure from Texas following the passing of his father, ultimately settling in Seattle, WA. The backdrop of Alva's new beginnings in Seattle provided an inspiring setting to confront and compose the new record. Thematically, the album delves into the complexities of death, love, and life's uncertainties. Recorded at The Unknown in Anacortes, WA, the album boasts a diverse sonic palette, beautifully captured and mixed by Marshall Pruitt of Austin, TX.
The Marrying Type is an eclectic folk, rock, dream pop project, hailing from Tacoma, Seattle and Bremerton. Showcasing the songwriting of singer/guitarist Nathan Smurthwaite(Fungal Abyss,Black Smoker) and offering the listener an opportunity to get lush and loud aswell as quietly lost in thought, cathartically pondering the abyss of emotions that life often is. The Marrying Type is complete with a collection of excellent local players, Benjamin Thomas Kennedy(BlouseUSA,SomeSurprises,Shitty Person)on drums, Ryan Weaver(KarolKarol,StradhoughtonEcho)on bass and his own offspring Dino Smurthwaite(Colour)on guitar.
Tiny Vipers is Jesy Fortino, a musician living in Seattle. Creating and performing the music for her new album with a singular approach, Life on Earth is a private vision unfolding, at times crystal-clear and at other times shrouded in a mystical fog. People and times past wander through these songs like ghosts looking for a home. And questions arise for anyone listening: Where did they go? Where have they been?