The Rabbit Box presents Generifus / St. Yuma / Where’s Beth
Saturday, May 23rd // Doors 7pm // Music 8pm
$15 adv. / $18 door : https://tickets.venuepilot.com/e/generifus-st-yuma-where-s-beth-2026-05-23-the-rabbit-box-theatre-seattle-0d0e42
Generifusis the music project of Washington State native Spencer Sult. Beginning in 2005, Sult has written, recorded and released around twenty LPs, Eps, Singles and Compilations working with K Records, Bud Tapes, Anything Bagel and his own Sultan Serves label. Generifus has toured the USA many times and Japan once via car, train, Greyhound bus and plane. A “Best Of” compilation was released in late 2025 by Perpetual Doom, assembling 15 of the best songs recorded over the lengthy span of Generifus’ existence.
St. Yuma began its journey in 2015 in Seattle, WA. It has served as the creative outlet for Stevan Alva, a California native. After spending an extended period in Texas, Stevan returned to Washington in the spring of 2022. Following the release of "Country Sleight of Hand" recorded at The Unknown in Anacortes, WA, in 2024, a new album is set to be released in March of 2026 Entitled “Trout Man” St. Yuma's most ambitious work yet. Drawing on inspiration from artists such as Silver Jews, Damien Jurado, and various other artists from the 60’s & 70’s.
Where's Bethvoice and lyrics clear as glass, Where’s Beth (project of Sarabeth Weszely) carries the kind of honesty that makes a room go still. Raised in the Midwest and trained as a writer, Weszely brings a literary sensibility to her songs, shaped by close observation and restraint. She lived seven years in New York City, where she recorded for my mom & other lovers (2022) and Bone Broth (2024). These early releases introduced her devotion to shared domestic spaces and the emotional textures of the mundane. Her sophomore album Ache Is A Cricket In The Night continues this exploration of everyday life but widens its emotional landscape. Across its songs, Weszely writes in tiny weather systems: a fridge that stops humming, a clogged drain gurgling like human pain, strangers pointing out untied shoes in the grocery line, white ants burrowing through wood at dusk. These images widen into reflections on grief, anger, the quiet accumulation of loss, and the ordinary ache of being alive. Recorded live in Weszely’s Seattle home studio, Ache Is A Cricket In The Night trusts presence over perfection. It does not rush toward resolution but stays, listens, offering itself as a companion and trusting that even the smallest details can hold entire emotional worlds.