The Rabbit Box presents Butch Bastard / Elizabeth and the Catapult with Jon Titterington
Sunday, Aug. 23rd / Doors 7pm / Show 8pm
GA Seated $25 adv. / $30 door: https://tickets.venuepilot.com/e/butch-bastard-elizabeth-and-the-catapult-with-jon-titterington-2026-08-23-the-rabbit-box-theatre-seat-35e910 * Taxes and fees applied at point of sale
Elizabeth Ziman, who performs as Elizabeth and the Catapult, is a critically acclaimed singer/songwriter from New York, living and working in Brooklyn. She's toured with the likes of Sara Bareilles and Kishi Bashi; collaborated with Esperanza Spalding, Gillian Welch, Blake Mills and Ben Folds; scored, with Paul Brill, a variety of international award-winning documentaries including "Trapped," a Peabody winner; and won an Independent Music Award for Songwriting, Folk category. Her songs have been featured in national television campaigns for Google, Amazon and "So You Think You Can Dance" amongst others. She’s released five albums, the latest, “Sincerely, e” was released by Compass Records in 2021. Her song “Together Alone” was on All Songs Considered top 10 songs of the year in 2021. In 2025 she won the annual DAG Prize for music.
Butch Bastard is the moniker of Ian Murray (he/him), a songwriter, multi-instrumentalist, and producer crafting literate, emotionally resonant music. Originally hailing from Seattle and now based in Los Angeles, Murray’s work as Butch Bastard reflects a deep commitment to narrative songwriting, melodic sophistication, and a quietly defiant independence.
Elizabeth is joined by Jon Titterington (Father John Misty) on piano and guitar. MO - "...a converging, titanic exhibition of rock n' roll" - Paste Magazine "...like Pinkerton-era Weezer as interpreted by The Chipmunks" - Pitchfork "...one of the best power-pop artists in the underground." - Most know him as the piano player in Father John Misty, but Jon's other musical interests have led to composition work for FX’s “The Bear,” years as a session player for hire, and many collaborations in the folk rock scenes of Hollywood and New York City. All of these experiences inform his debut solo album, See You at the Finish Line, an excursion into heartbreak, morbidity, satire, and social anxiety set to the sound of nervous, hooky pop rock.